Monthly Archives: March 2010

   

        “Gamera is a giant, flying turtle from a popular series of  kaiju (Japanese giant monster) films produced by Daiei Motion Picture Company in Japan. Gamera made his first appearance in 1965′s Gamera, which was also the only Gamera film to be in black-and-white. Subsequent films, usually directed by Noriaki Yuasa and written by Nisan Takahashi, quickly became a big hit with children, who loved watching Gamera fight monsters. A seventh sequel was slated for a 1972 release, tentatively titled Gamera vs. Garasharp. Gross mismanagement of Daiei, however, put the company into bankruptcy, and the Gamera films were forced to cease production. After Daiei was purchased by Tokuma Shoten in 1974, the new management wanted to do a new Gamera film in 1980, so Gamera: Super Monster was produced. The majority of the film used stock footage (with limited new scenes of Gamera flying), and acted as a “recap” of Gamera’s history. However, Yuasa and Takahashi felt that they had done all they could with the monster, so they respectfully killed off Gamera at the end of the film.

Height 60-80 metres
Weight 80-120 tons     

       Gamera’s shell is extremely resilient and strong. Missiles and other weaponry merely bounce off it, along with most of his opponents’ attacks. There have been a few times where his shell has faltered, most notably when the alien Guiron hammered at the same spot several times and began cutting through. The flying monster Gyaos’ sonic beam, the alien shark Zigra’s paralyzing beam, and the mutant lizard Barugon’s rainbow ray cannot penetrate Gamera’s shell, shown in the films when he withdraws into his shell to avoid the attacks. Gamera’s underbelly, however, is softer and not as resilient, and he has been cut and gouged in his stomach to the point of bleeding.” (www.wikipedia.com, accessed March ’10)

        The first time that I’ve ever knew Gamera was in 1995 by Hobby Japan magazine. It was showing some photos for ‘the making of Gamera’, I really liked the scenes and how fine their work was, the color, the features and the background/surroundings of the artificial scenes. The idea of making a turtle as a giant monster is it self cool and I liked how powerful turtles can be! yes and they can even defeat dinosaurs!!! Now I feel like I wanna raise a giant turtle Gamera!

 

I’ll summarize this post in three words “I LOVE KUWAIT!”

      

              Tetsujin 28-gō, is a 1956 manga written and illustrated by Mitsuteru Yokoyama, who also created Giant Robo. The series centred on the adventures of a young boy named Shotaro Kaneda, who controlled a giant robot named Tetsujin 28, built by his late father. The manga was later adapted into four anime TV series, the first in 1963. It was the first Japanese series to feature a giant robot. The 1963 series was later released in America as Gigantor. A live action motion picture with heavy use of computer generated graphics was produced in Japan in 2005.” (Wikipedia, accessed March ’10)

Then there is the 1980 and 1992 Tv anime serieses. My favorite, and the favorite of most of the arab fans, is the 1980′s (Shin Tetsujin 28-gō) as it was dubbed into arabic. The dub was really good performed by mostly lebanese voice actors/actresses خالد السيد from جونكر  and وفاء طربيه from رانزي المدهشة, and many others. Their arabic pronounciation is perfect besides it’s relevant to the plot and storyline unlike other recent dubs that I don’t want to btother in bringing it up here for now…Tetsujin the 80′s Tv series is my age, I’ve watched it in 80′s and I’m watching it again now, liked neither the 60′s nor the 00′s versions of it, 70s-80s are always my favourite in anime.

           Now there is a 1:1 (18 m) Tetsujin 28-gō statue in Kobe, where Mitsuteru Yokoyama was born. Unfortunately, it’s from the 50′s manga/60′s anime, not the 80′s shin Tetsujin 28-gō, but it’s still good. Hope to see Astroganga (アストロガンガー جونكر) and (الثور الأسود) somewhere in  Honshū soon!

  

  

       ”Walkman is a Sony brand originally used for portable audio cassette, and now used to market Sony’s portable audio and video players as well as a line of its mobile phones. The original Walkman introduced a change in music listening habits by allowing people to carry music with them.

The device was built in 1978 by audio-division engineer Nobutoshi Kihara for Sony co-chairman Akio Morita, who wanted to be able to listen to operas during his frequent trans-Pacific plane trips. The original Walkman was marketed in 1979 as the Walkman in Japan, the Soundabout in many other countries including the US, Freestyle in Sweden and the Stowaway in the UK. Morita hated the name “Walkman” and asked that it be changed, but relented after being told by junior executives that a promotion campaign had already begun using the brand name and that it would be too expensive to change.” (Wikipedia, accessed 03/’10)

Now this is nothing with the tv documentary that I’ve watched on NHK in ’09. It was an interview with the designer on how and why the first two designs of Sony walkman were created. Sony = Legacy and whatever I’ve seen/watched/read/heard about it  really showed me why Sony Walkman was copied by the fruit co.!  I’m not defending Sony ‘cos it’s Japanese, again, I’m not Japanese, but the quality, the features, colors, materials..etc. of the Japanese products are always unbeatable, just see how cool the 80s’ WM-2 walkman is!

I don’t wanna discuss the lack of MDs and LDs in our market here, that most probably will need an entire post to be expressed well…